I am one that had rather go with Sir Priest than Sir Knight, I care not who knows so much of my mettle. Love is another main theme of Twelfth Night. For example, when Antonio asks Cesario for his purse, thinking that he is Sebastian, he is taken aback when he claims to not have it.
He returns to the theme of the unrequited lover and conjures up a sad tale about his "sister" who loved so purely and so passionately and so privately that love became "like a worm in the bud" of her youth and fed "on her damask cheek.
Therefore get you on and give him his desire. Here come the officers. From then on the various gaps in the knowledge of characters, such as the fact that Malvolio does not know Maria wrote the letter he found; the longing of Olivia for Cesario, who is in fact a woman; and the unknowing Sir Andrew, who does not realise that Sir Toby and Fabian mock him behind his back.
He runs off, with Sir Toby and Fabian following. Viola looks a lot like her twin brother and apparently the two look identical now that Viola is disguised as "Cesario. By speaking out so boldly about such issues the fool often creates humour through outright mockery of the other people in the play in a way that no other character would feasibly be able to do without good reason.
He never once suspects that it is not real and truly believes that Olivia could love him, which is where much of the comedy derives from, as he is so confident that Olivia understands what he is talking about when he quotes from the letter.
Antonio, realizing that he will need to pay a bail bond in order to free himself, asks Cesario, whom he still believes is Sebastian, to return his purse which Antonio gives to Sebastian in Act III, scene iii.
Orsino tells Cesario that Orsino himself is the sad epitome of all lovers — "unstaid and skittish" — except when he recalls "the constant image" of his beloved.
When the news arrives that Cesario has returned, she assigns Maria and Sir Toby to take care of Malvolio, and goes off to see Cesario. And I beseech you come again tomorrow.
All Shakespearean comedies have five acts, of which the climax is the third act. Audiences in Shakespearean times would find it funny to see a man acting the part of a woman pretending to be a man. It hath no tongue to vex you. This is helpful for Shakespeare for it means that Feste effectively knows a lot of the same information that the audience knows, and so can act as a commentator on events, or a narrator, as mentioned above.
If this young gentleman Have done offense, I take the fault on me. Confusion is in fact one of the main themes of the play. Once Olivia and Maria are gone, Malvolio celebrates. Dismount thy tuck, be yare in thy preparation, for thy assailant is quick, skillful, and deadly.
He will find it comes from a clodpoll. Cesario hints that love has already enthroned itself within him, and Orsino remarks that he believes that Cesario is indeed correct.
How dost thou, chuck? In my opinion, this part of the play does involve black humour, because effectively the audience are laughing at Malvolio being bullied and wrongly labelled as being possessed by the devil- not at all a light-hearted accusation.
Just then, Antonio enters and thinks that "Cesario" is his boy, Sebastian. Visual comedy, which is a form of comic prop, provide humour that is easy to understand- the fact that Malvolio is dressed in yellow stockings whilst talking suggestively to Olivia is slapstick humour that can be understood by anyone in the audience.
Reluctantly, the two draw their swords and prepare for a fight. This creates comedy, through shock for the audience, and again mockery of the high characters. He is a bit like a puppet master who has Sir Andrew and, although not for such a long period, Viola dancing to his tune.
But the added fact that Cesario is, in fact, Viola dressed as a man causes great hilarity and confusion. This ties in with the fact that throughout Twelfth Night many unlikely co-incidents occur, making the play amusing simply because it is so unlikely to happen. Antonio is hurt because he thinks Sebastian has hung him out to dry.
Delighted by the turn the events have taken, they decide together to lock Malvolio into a dark room—a frequent treatment for people thought to be possessed by devils or madmen.Twelfth Night study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
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Twelfth Night Act 3, scene 4 Summary & Analysis from LitCharts | The creators of SparkNotes. A summary of Act III, scene iv in William Shakespeare's Twelfth Night. Learn exactly what happened in this chapter, scene, or section of Twelfth Night and what it means.
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Home → No Fear Shakespeare → Twelfth Night → Act 1, Scene 4. No Fear Shakespeare Twelfth Night. Read the SparkNote →. In Act 3, scene 1, Olivia displays the confusion created for both characters and audience as she takes on the traditionally male role of wooer in an attempt to win the disguised Viola, or Cesario.
Essay on Twelfth Night: A Gender-Bending Journey - Twelfth Night: A Gender-Bending Journey Shakespeare enjoyed writing passionate plays about.
Twelfth Night; Act 3 Scene 4; Twelfth Night by: William Shakespeare Summary. Plot Overview; Summary & Analysis; Act I, scenes i–ii; Act I, scenes iii–iv; Suggested Essay Topics; How To Cite No Fear Twelfth Night; How to Cite This SparkNote; Table of Contents; Act 3 Scene 4.Download